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Concert Review: Backstreet Boys at Chevrolet Theatre in Wallingford
Backstreet Boys, a boy band that has outlasted most others, continues to plug along as a champion of undying puppy love and synchronized dance moves. Now down one of its original members to a four-piece, the act appeared Sunday night at the Chevrolet Theatre in Wallingford and recited its catalog of mild dance hits for an enthusiastic, female-dominated audience.
The program courted disaster at its outset when its four principals appeared in color-coded boxing robes to assay the pulsating "Larger Than Life," and Nick Carter (blue-trimmed robe and gold shoelaces) and Brian Littrell (vice versa) apparently got each other's wardrobe and ruined the scheme. The crisis was averted when they moved on to the contoured thump of "Everyone," when each sported a leather jacket trimmed in his individual color.
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Backstreet Boys, a boy band that has outlasted most others, continues to plug along as a champion of undying puppy love and synchronized dance moves. Now down one of its original members to a four-piece, the act appeared Sunday night at the Chevrolet Theatre in Wallingford and recited its catalog of mild dance hits for an enthusiastic, female-dominated audience.
The program courted disaster at its outset when its four principals appeared in color-coded boxing robes to assay the pulsating "Larger Than Life," and Nick Carter (blue-trimmed robe and gold shoelaces) and Brian Littrell (vice versa) apparently got each other's wardrobe and ruined the scheme. The crisis was averted when they moved on to the contoured thump of "Everyone," when each sported a leather jacket trimmed in his individual color.
Those were the sorts of details that really mattered in the show, which was otherwise an endless parade of four interlocking vocal parts that coalesced into repetitive, bland dance pieces. The turns taken by Carter and A.J. McLean in yelping the leaden hooks of "I Want it That Way" didn't make the tune any less a monotonous trifle than it ever was, and its performance was not designed to add up to anything more.
It is somewhat unseemly to refer to four thirtysomethings as a boy band, but the group aspired to little more as it overplayed the deliberate "Show Me the Meaning of Being Lonely" while seated around a table and splashed off-brand schmaltz across the drab thump of the weepy ballad "More Than That." Once its greatest asset, now the packaging that continues to define the group is its biggest handicap, as it is stuck in a rut of same-thinking tunes such as "As Long as You Love Me" and "I'll Never Break Your Heart" that revel in the bland and sound anywhere from awkward to inappropriate coming from grown men.
Each band member offered a solo tune, and Littrell's trip through "Welcome Home" proved the evening's strongest — and arguably only — showing of personality and character. The blustery encore "Shape of My Heart" was more of the same in every sense of the phrase, a gust of recycled sentiment and attitude from a group that appears incapable of taking a next step that isn't synchronized.
Source: Courant.com
Posted on 05 Nov 2008
Posted by Stephanie
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